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Sunday, December 25, 2011
NAMM 2011 - BUGERA TRIREC INFINIUM First Look!
Saturday, December 17, 2011
Bugera 1990 Lower Gain Break review
Tuesday, December 13, 2011
Behringer VT50FX Virtube 50-Watt Guitar Amplifier with 2 Independent Channels, VTC Tube Modeling, Dual Fx And Original Bugera 12 Speaker
!±8± Behringer VT50FX Virtube 50-Watt Guitar Amplifier with 2 Independent Channels, VTC Tube Modeling, Dual Fx And Original Bugera 12 Speaker
Post Date : Dec 13, 2011 02:38:28 | Usually ships in 24 hours
50-Watt Guitar Amplifier with 2 Independent Channels, VTC Tube Modeling, Dual FX and Original BUGERA 12" Speaker
More Specification..!!
Friday, December 9, 2011
Bugera 212V-BK Vintage 2 x 12-inch, 140-Watt Stereo Guitar Cabinet
!±8± Bugera 212V-BK Vintage 2 x 12-inch, 140-Watt Stereo Guitar Cabinet
Post Date : Dec 09, 2011 06:04:34 | Usually ships in 3-4 business days
- With 140 Watts of explosive power handling, this vintage cabinet is the perfect complement to BUGERA amps
- Original 2 x 12'' BUGERA Vintage Guitar Series speakers
- Versatile 4/16-Ohm mono or 2 x 70-Watt, 8-Ohm stereo configuration
- Stylish and comfortable carrying handle for easy single-handed transportation
- Extremely low-resonance and low-vibration cabinet
More Specification..!!
Bugera 212V-BK Vintage 2 x 12-inch, 140-Watt Stereo Guitar Cabinet
Monday, December 5, 2011
Bugera 6260 Ultimate Guitar Amp Head Review
The Bugera 6260 is a Boutique-style 2-channel tube amplifier. It outshines for classic rock, alternative rock and raw metal bands due to its rocking power and road-worthy reliability. This highly powerful amplifier comes equipped with massive 120-watts of shear power and a 2 channel vintage designed EQ section (with Bass, Mid and Treble) and reverb.
The Bugera 6260's classic 2-channel preamp design (Clean, Crunch, Lead) is loaded with 5 x 12AX7 valves for precision attack with terrorizing gain and punch. Both channels offer a classic (Peavey 5150 -style) presence control for more redefined tweaking capabilities to add more to the incredible tone. In addition, you will revere the detail in the defined reverb tails individually controllable on each channel. Two outputs with added impedance switching to match virtually any speaker cabinet, from 4, 8 to 16 Ohms.
This monster comes with a 4-way, rugged, metal footswitch selector. Making switching channels and effects loop in a live situation a smooth progress. This boutique-style valve head is constructed using precision assembly, hand-built for perfection, you can be confident the beast will stand the test of time. Use double hum buckers and play metal or use single coils and play blues for more of a mellow and a clean sound, you can use this amp in any diverse situation. Best of all, it keeps up with your loud audience of hungry fans while it maintains excellent clarity.
Experiment your sound with the Bugera 6260, swap out the 12AX7 preamp V1 or V2 to a 12DW7 to cut back on the gain... Want more gain? Throw in a JJ high-gain 12AX7. It is a nice mix with the bass being so tight for chunky rhythm. -- The two channels, blue (clean) and razor (distortion. Gain, Bass, Bass, Treble and Level for the first channel, Gain, Bass, Middle, Treble, Level, for the second). The Bugera uses four hand-selected and matched Bugera 6L6 power-tubes and five Bugera 12AX7 preamp valves.
Bugera 6260's boost channel is insane with the master volume krank-driving the tubes and pushing the 6260 to the edge of flesh peeling delight. Stereo effects loop is also a nice benefit for the Bugera 6260. Using the Blue side with the "green" channel on the pedal will give a pronounced silky tone with a little edge. Switch to the razor, crank the bass, scoop the mids, drive the gain and the Bugera turns into a massive Godsmack type territory. Run ovation through the blue channel, giving the tone a nice little grunge. Best part, Bugera 6260 isn't a noisy amp (or this might be a flaw for you (vintage head enthusiasts)
Bottom line, the Bugera 6260 has a brutal range raw metal tones. A hefty fuzz tone, and usable cleans. 120-watts of insane power provides plenty of head room and more than enough for two 4x12 speaker cabinets to enthrall a huge audience at a live gig. Road-worthy dependability and priced for a gigging musician... And still enough cash left over for a pack of guitar strings and a case of beer.
Yamaha Dgx620 Fast Promotion Polk Subwoofer Psw10 Keurig B145 Review
Friday, December 2, 2011
Bugera V22 audience review
Tuesday, November 29, 2011
Tips On Choosing The Perfect DJ Amplifier
You have decided to make some money working as a DJ. If you are working in the club most of your equipment will be supplied for you, but if you decide to book and work gigs on your own, you will be required to own and set up your equipment. This means that you must have the right DJ amplifier to go with your speakers. DJ's tend to spend a lot of money of the right combination of DJ amplifiers and speakers, but that makes sense since it is their bread and butter.
The first place to look when buying an amp is listen to, look and see what everyone else is using. This will give you an idea about some of the more popular brands. Make sure you hear the amp and speaker combination with the kind of music you expect to be playing. Many brands perform specific categories of music better than others based on their frequency characteristics and sound qualities. Know your budget and what makes and models fall in the range you can afford comfortably. Discuss the pros and cons of the amplifiers with the professionals that sell them. See and read the reviews on the products that you have an interest in. There are plenty of forums online that will steer you in the right direction with no loyalty to one particular model or another.
Once you identify the DJ amplifier that you want ensure that it is not too large for your speakers to handle. If you amplifier is putting out too much power for your speakers to handle, you run the risk of blowing your speakers. The other side of that is the fact that you want to make sure that you are putting out enough power to efficiently drive the speakers, getting the sound that you want and need in a variety of spaces.
You will always want to purchase a DJ amplifier that can put out slightly more power then your speakers can handle because this will allow you to set your amplifier at a setting that is not wide open. If your speakers will handle 300 watts RMS and your amplifier will put out 500 watts you will be able to run your amp at a little over half power. This will extend the life of your amp and ensure that you do not blow your amp during an event or party.
The life of a DJ can be fun, while making some extra money. Ensure that you have the right equipment to handle all types of situations.
Friday, November 25, 2011
Electric Guitar Rig Tone Secrets
Trying new and different electric guitar rig tones can literally open your mind up to a whole new world on your guitar. You don't have to be an expert to create a sound that exceeds your expectations, but you do need to have some relatively decent equipment and know the inside scoop on creating a sound that you love.
Your Equipment
The most important electric guitar rig tone secrets are the ones that point to having decent equipment ( I don't mean Mesa Boogies or high end Marshall's and Gibson's), but rather, for example, an Epiphone Les Paul and a Bugera Amplifier. If you have a low-end, second rate guitar and amp, you simply won't be able to produce the sound that you are trying to achieve, especially at higher volumes. You don't have to spend a lot of money to get great equipment, however. Make sure that your guitar has good pickups, and a guitar that doesn't easily lose tune easily. If it does, then you can easily replace the pickups and overhaul the guitar for a better overall sound. There are also some tricks that you can use to get a great sound out of the equipment that you have if you don't want to spend more money.
You can also think about your sound in terms of what the audience is hearing. If you sit next to your amp to dial it in, and then listen to your tone from a few feet away, you may notice that there is a real difference in the sound your guitar and amp are producing. Make sure that you walk around, and away from your amplifier while you are playing your guitar. You can adjust the tone so that it sounds great no matter where you are. If you play a combo amplifier, you may want to consider building an amplifier stand to raise your amp up slightly, so that the speakers aren't obstructed on the stage.
Getting the Ultimate Guitar Tone
Okay, so I stressed equipment and gear, but now we need to look to the amplifier EQ settings. To enhance the EQ settings, I would strongly suggest investing in an EQ Stompbox or Rack for really bringing that tone out. But for now, we'll adjust the amp's EQ. You most likely have "High", "Mids", and "Low" controls on your amplifier. Highs are for the treble, Mids are for the... well the mid range, and the lows are bass. Some amps have a contour or blend control as well.
Is there a particular sound you want to recreate from your favorite band? Start off by adjusting all the EQ controls to noon (arrow straight up), find the volume range you want to be at, and one-by-one adjust each EQ control. Start with the highs and tweak each control little by little, and repeat through-out each control until recreate that sound.
Tip: If you scoop your mids too much, you may find it difficult for your tone to cut through the mix.
Playing guitar doesn't have to be complicated. Take these electric guitar rig tone secrets, and use them next time you think you don't have the sound that you want or need for your application. If you are looking for a simpler solution, I would suggest investing in a Multi-Effects Processor; see Vox Tonelab, Line 6 POD, Digitech RP series. Multi-Effects Processors are designed and set up to recreate you favorite amp head and cab out of the box. Instead of buying eight high-end guitar amplifiers, just buy one Multi-Effects Processor and get the tone of those eight amps (and more).
Wednesday, November 23, 2011
Fender Champion 600 Electric Guitar Amplifier
!±8± Fender Champion 600 Electric Guitar Amplifier
Post Date : Nov 23, 2011 10:48:19 | Usually ships in 24 hours
A fun and affordable tribute to a rare and historic Fender amp. Our new Champion 600 is a 5-watt tube amp with a 6” speaker and 1950 “two-tone” looks. We added a higher-gain preamp circuit to let the overdriven tone exceed that of the original, and we added a choice of high- or low-gain inputs. Internal speaker jack enables use of a larger speaker cabinet.
- 5 watts
- One 6", 4-ohm Special Design driver with ceramic magnet
- One channel
- Controls: Volume
- Additional Fetaures: Tube Preamp and Tube Power Amp (One 12AX7 tube; One 6V6 tube). 5 watts Into a 6" Special Design Speaker. High-Gain and Low-Gain Inputs; Hotter Preamp Circuit than the 1950 Original for Warm Natural Overdrive when Turned Up. Single Volume Control. External Speaker Output. Brown and Blonde Vinyl Covering; Vintage-Correct 1950 "Two-Tone" Cosmetics. Leather Strap Handle. Red Jeweled Pilot Light.
- 5 watts,Controls: Volume
- Additional Fetaures: Tube Preamp and Tube Power Amp (One 12AX7 tube; One 6V6 tube). 5 watts Into a 6" Special Design Speaker.
- High-Gain and Low-Gain Inputs; Hotter Preamp Circuit than the 1950 Original for Warm Natural Overdrive when Turned Up.
- Single Volume Control. External Speaker Output. Brown and Blonde Vinyl Covering; Vintage-Correct 1950 "Two-Tone" Cosmetics.
- It controls the volume and one channel.
- High-Gain and Low-Gain Inputs; Hotter Preamp Circuit than the 1950 Original for Warm Natural Overdrive when Turned Up. Single Volume Control.
- External Speaker Output. Brown and Blonde Vinyl Covering; Vintage-Correct 1950 "Two-Tone" Cosmetics.
- Leather Strap Handle. Red Jeweled Pilot Light.
Monday, November 21, 2011
Bugera V5 5-Watt Class-A Valve Amplifier Combo with Reverb And Power Attenuator
!±8± Bugera V5 5-Watt Class-A Valve Amplifier Combo with Reverb And Power Attenuator
Post Date : Nov 21, 2011 04:53:40 | Usually ships in 24 hours
Dressed in classic two-tone vinyl, running on one power and one preamp valve and featuring bone-simple controls, the BUGERA V5 looks like a carefully constructed nostalgia trip. In fact, in many ways, it is! But plug into this beautiful little amp and you’ll not only find a sound that’s caked in real vintage raunch, but also modern features that take this sound to places it couldn’t go—until now.
Big Sound, Small Package
Rock music brings to mind amplifiers as big as skyscrapers, dishing out irreversible ear damage at ruthless volumes. But a studio secret among guitar greats is that little low-watt valve combos like the V5 can be maxed out for red-hot overdriven tone without blowing fuses or incurring any property damage.
The V5 is a living, breathing homage to those half-pint screamers of the past, but with two very important improvements. See, this amp may be small, but 5 watts in Valvesville is still loud as hell when it’s sitting in your bedroom. That’s why the V5 features a switchable power attenuator that allows you to run 5, 1 or 0.1 Watts. An attenuator reduces the amplitude of a signal without changing its sound. That means you can still drive the valves into banshee-league fury, but without waking up the neighbors.
Finding a headphone out jack on an all-valve guitar amp is incredibly rare because the integration requires loading the output transformer and filtering the signal for a loudspeaker simulation. (Translation: it’s a pain in the ass!) But in true BUGERA fashion, we’ve gone the extra mile to allow you some late night practicing. Just plug in a pair of headphones to the 1/4" phones jack on the back panel, and you’re ready to keep the V5’s all-valve sound all to yourself. Then again, if it’s more volume you need, the V5 has a 1/4" Speaker Out jack that allows you to connect an additional speaker with a minimum impedance of 4 Ohms. This dangerous dandy also features the same studio-caliber digital reverb found in its bigger BUGERA brothers. The spring reverb found in the V5’s post-war predecessors sounds lovely, but is delicate and expensive to repair. The V5’s modern update gives you an equally mesmerizing vintage reverb sound without the wallet-draining vintage reliability.
Little Wonder
With the V5 in your home or studio, your tonal woes are over. It bears the true sound of an antique 5W valve amp, it’s built to survive abuse, and its price tag is tons lighter than the ones you’ ll find tied to its elders. Adopt a V5 today and get ready to pack 60 years of sonic inspiration into your recording or practice sessions.
Features
- Hand-built 5-Watt Class-A amplifier driven by 1 x EL84 valve
- Way cool vintage look and feel
- Original 8" BUGERA guitar speaker for true vintage sound
- Authentic preamp design from the '60s featuring 1 x 12AX7 valve—everything from purring blues to mind-blowing crunch
- Integrated high-class reverb with dedicated Reverb control
- Vintage Equalizer with dedicated Tone control
- Built-in 2-way Power Attenuator allows you to get ultimate sound at any volume
- High-quality components and exceptionally rugged construction ensure long life
- Boutique-Style 5-Watt Class-A Valve Amplifier Combo with Reverb and Power Attenuator
- Authentic preamp design from the '60s featuring 1 x 12AX7 valve - everything from purring blues to mind-blowing crunch
- Integrated high-class reverb with dedicated Reverb control
- Vintage Equalizer with dedicated Tone control
- Built-in 2-way Power Attenuator allows you to get ultimate sound at any volume
Friday, November 18, 2011
What Are Boutique Guitar Pedals?
All guitarists are searching for their own original sound, and using boutique guitar pedals is one popular way to insure that you stand out from the crowd. Unlike mass-produced guitar pedals, boutique pedals are usually made by small independent workshops, and most often, the pedals are hand-made and numbered.
While the large manufacturers can usually sell guitar effects pedals cheaper, small boutique pedal companies specialize in individuality and attention to detail in their effects. Companies such as Carl Martin, Divided by 13, Fulltone, Keeley and Red Witch are all smaller boutique manufacturers, dedicated exclusively to producing outstanding guitar tone.
As you might expect, small companies that hand build guitar pedals usually charge more for their products. However, many pro guitarists insist that the higher price of boutique pedals is justified because of their quality and originality of tone.
As well as the small guitar workshops, boutique pedals are also produced by a few larger companies such as Electro Harmonix and Huges & Kettner. These medium-size manufacturers manage to avoid being labeled as mass producers of guitar effects because of their stellar reputations, and their attention to detail in producing quirky, non-traditional guitar effects.
Boutique guitar pedals come in many different flavors, from swirling chorus effects, to vintage, hand-built overdrive units. Primarily, most of these high-end effects are influenced by the vintage guitar pedals of the 1960s and 70s. For example, many boutique pedal manufacturers sell replications of rare 1960s pedals.
And though the prices of these units tend to be much higher than standard mass-produced guitar effects, when you consider the rarity of these 60s era pedals, and the fact that many of them will be in poor condition after all these years, it can actually make much more sense to buy a replication of a classic pedal than the original.
In a way, the trend toward using boutique guitar pedals is a reaction to the overly commercial music of the past few decades. Guitarists use these unusual and unique sounding "stomp boxes" to create an entirely different palette of sounds.
By using exotic guitar pedals, artists are able to shape the sound of a music to a far greater degree, and avoid the bland same-ness of much commercial music these days.
But as well is sounding unique, boutique guitar pedals are also small, functional works of art. Many boutique pedals are actually hand-painted and hand-labeled, ensuring that no two will look like. Boutique pedal producers such as Zvex are a good example of this. All of their pedals feature vintage analog knobs and foot switches, and are decorated with hand-painted symbols and icons.
So when a guitarist buys a boutique pedal, they are buying something very different from a mass produced multi-effects gadget; they are buying a unique piece of history that has been handcrafted and tested in a small workshop to perform to the highest standards, and create a totally unique sound.
There's no doubt about it: these pedals cost more than mass-produced units from the big names, but you can also find them on auction for about the same price as a bland, mass-produced effects pedal. And when you consider the originality and inspiration you will gain by using boutique guitar pedals, it's easy to see why they are becoming more and more popular everyday.
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